‘Mad About the Boy: The Noël Coward Story’ Review: In Blithe Spirits
A brisk documentary by Barnaby Thompson counters that the tuxedo-wearing playwright hid his insecurities under a platinum-plated veneer.
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A brisk documentary by Barnaby Thompson counters that the tuxedo-wearing playwright hid his insecurities under a platinum-plated veneer.
The deaths remain grisly, but the pacing uneven in this new installment in Damien Leone’s horror franchise.
Plus: a collection of glass jewelry, an exhibition of Olga de Amaral’s sculptures and more recommendations from T Magazine.
A timely group show in Chelsea considers the theme of the Stars and Stripes in 90-plus variations, including deep-fried and three inches tall.
How do you explain the democratic process to future voters? Start with these lively picture books and compelling histories.
Fabio Luisi, a seasoned “Ring” conductor, will lead Wagner’s four-opera epic over a week in concert, breaking new ground for American orchestras.
Florence Pugh and Andrew Garfield star in this weepie romance that tries to be modern by unfolding over three intersecting timelines.
The producer and musician gets the biographical documentary treatment — with an unexpected twist.
This remake of a hit Thai film about college admissions, starring Callina Liang, adds an element of racial politics to its heist story.
The tension between sacred mysteries that must be shielded from outsiders and those that can be revealed animates an exhibition at the Asia Society.
A book says Donald Trump sent Covid testing equipment to the Russian leader. Meyers suspects he threw in “some snacks, a bath bomb and a CD.”
A diner patron asks a waitress for an extraordinary side dish in Meghan Kennedy’s sweet but shaggy new play.
The hip-hop mogul’s legal team said in a filing on Wednesday that it may ask for the widely published video to be barred from his trial.
Led by Manfred Honeck, the orchestra all too quickly revisited Beethoven’s Seventh Symphony and, with Vikingur Olafsson, Brahms’s Piano Concerto No. 1.
Once called “probably the funniest and most malicious” of the postmodernists, his books reflected a career-long interest in reimagining folk stories, fairy tales and political myths.