Adam Driver in ‘Hold On to Me Darling,’ a Satire of Sincerity
A country music star embodies the clichés of celebrity in an Off Broadway revival of Kenneth Lonergan’s 2016 comedy.
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A country music star embodies the clichés of celebrity in an Off Broadway revival of Kenneth Lonergan’s 2016 comedy.
He led his country’s principal orchestras and major orchestras elsewhere in Europe. He also mystified his countrymen with an unstoppable flow of symphonies.
Osvaldo Golijov and David Henry Hwang’s opera, inspired by the life of Federico García Lorca, arrived at the Met with a dizzying blend of styles.
A new Netflix documentary tells a sinister tale of a decade-long online romance scam, and the devastation that followed.
His movie songs are filled with memorable melodies; his own albums with unsavory characters. One of the most astute cultural observers is the subject of a new book.
The soft-spoken actress is winning raves (and Oscar talk) for her turn as a feisty sex worker in the Palme d’Or-winning “Anora.”
Mikey Madison gives a career-making performance in a Palme d’Or-winning film about the romance between a sex worker and a rich scion.
Kimberly Belflower’s “John Proctor Is the Villain” will be directed by Danya Taymor, who won a Tony this year for “The Outsiders.”
Andre’s family history is one of precarity and mutability. His works, vulnerable and intricate, aren’t so different.
Jilly Cooper, 87, has written raunchy novels for decades. Adapting her 1988 book “Rivals” for the streaming age meant tweaking some details.
After a two-year absence, New York’s most glamorous dollhouse returns to the Museum of the City of New York next month.
In this sequel, the pop sensation Skye Riley (Naomi Scott) is preparing to begin her comeback tour a year after a brutal car accident.
Copycat classicism is here. Literary re-enactments by the photographer Stan Douglas — and a wave of other remixers — are creating new types of art around Black history.
Former artists of Dallas Black Dance Theater say they were dismissed in retaliation for forming a union. The company denies the accusation.
Performed simultaneously in sign language and sung English, a Los Angeles revival of the Green Day musical finds new ways to communicate rage and angst.